What TV Series Are You Watching Now?

Not a TV Series, but has anyone watched "The Greatest Night in Pop", the Netflix documentary about the making of the US counterpart to Band Aid - "We Are the World". While the song was average enough (a fact Bruce Springsteen acknowledges during the documentary), it raised incredible funding and gave fierce publicity to the whole famine relief effort in Ehiopia at the time. The song was deliberately written with a simple structure, melody and arrangement so it could be recorded quickly. Watching the documentary various themes become evident:

  • The amount of talent in the room that night was absolutely off the charts - these are the people who soundtracked our youth and whose music continues to be played on rotation today, forty years later - Dylan, Springsteen, Paul Simon, Stevie Wonder, Diana Ross, Ray Charles, Michael Jackson, Smokey Robinson, Tina Turner, Willie Nelson, Lionel Richie, Steve Perry etc., etc. It's very nostalgic to see them all so young

  • As if we didn't know it already, Quincy Jones was a genius - and managed to corral all of those egos and performances into coherent set of performances in just one night

  • The evolution of the relationship in the room between the players is fascinating - wariness is gradually repaced by warmth and respect - all led by Richie, Wonder and Jones - as they work through the night

  • Whatever about his failings in life, Micheal Jackson was an absolutely spellbinding performer. He co-wrote the song with Lionel Richie and there are two or three sequences of him singing alone into the mic that raise the hairs on the back of your neck. It's worth watching the documentary for these scenes alone. Such an incredible voice. It's worth mentioning as well that as well as writing the song, he carried the effort at times in the studio and while all the others were at the American Music awards earlier in the night, he put in several hours alone in the studio getting the arrangements ready and rehearsing his part. I guess genius doesn't come for free

It's always fascinating to watch these documentaries showing the collaborative creative process in action, but this one is extra special. Funny too, to see the likes of Huey Lewis going on about how he was s***tin' himself to be in such exalted company and terrified that he'd balls it up. You'd need to be over 50 to really get the whole thing but sure that's most folks on this forum.

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Was looking forward to the series about the Kerry landscape on rte. I'm watching it now but it's pure Treehugger. Instead of glourious Kerry landscapes we just have a bunch of hippies going on about too much sheep.
I wouldn't agree. There was plenty of glorious landscapes and there was one treehugger type but the rest were local farmers, archeologist, biologist etc. The message from them all was our impact on the ecosystem which is fair enough. I'd give it a 7/10 at least for the visuals alone. There are some very talented film workers in this country and TG4, in particular, has a great graphics department.
 
I wouldn't agree. There was plenty of glorious landscapes and there was one treehugger type but the rest were local farmers, archeologist, biologist etc. The message from them all was our impact on the ecosystem which is fair enough. I'd give it a 7/10 at least for the visuals alone. There are some very talented film workers in this country and TG4, in particular, has a great graphics department.

Would you go way.
Some nutter wants to reintroduce wolves as they'll eat sheep and stop them eating tree shoots.
The farmers will be well pleased with that lol.
 
Anyone know if Havoc is worth the watch?
You’re in the wrong thread for movies but anyway……haven’t watched it all and probably won’t, it’s not great, reminds me a bit of sin city in its cinematography (not sure that’s the right word to use) which I didn’t like either!
 
Not a TV Series, but has anyone watched "The Greatest Night in Pop", the Netflix documentary about the making of the US counterpart to Band Aid - "We Are the World". While the song was average enough (a fact Bruce Springsteen acknowledges during the documentary), it raised incredible funding and gave fierce publicity to the whole famine relief effort in Ehiopia at the time. The song was deliberately written with a simple structure, melody and arrangement so it could be recorded quickly. Watching the documentary various themes become evident:

  • The amount of talent in the room that night was absolutely off the charts - these are the people who soundtracked our youth and whose music continues to be played on rotation today, forty years later - Dylan, Springsteen, Paul Simon, Stevie Wonder, Diana Ross, Ray Charles, Michael Jackson, Smokey Robinson, Tina Turner, Willie Nelson, Lionel Richie, Steve Perry etc., etc. It's very nostalgic to see them all so young

  • As if we didn't know it already, Quincy Jones was a genius - and managed to corral all of those egos and performances into coherent set of performances in just one night

  • The evolution of the relationship in the room between the players is fascinating - wariness is gradually repaced by warmth and respect - all led by Richie, Wonder and Jones - as they work through the night

  • Whatever about his failings in life, Micheal Jackson was an absolutely spellbinding performer. He co-wrote the song with Lionel Richie and there are two or three sequences of him singing alone into the mic that raise the hairs on the back of your neck. It's worth watching the documentary for these scenes alone. Such an incredible voice. It's worth mentioning as well that as well as writing the song, he carried the effort at times in the studio and while all the others were at the American Music awards earlier in the night, he put in several hours alone in the studio getting the arrangements ready and rehearsing his part. I guess genius doesn't come for free

It's always fascinating to watch these documentaries showing the collaborative creative process in action, but this one is extra special. Funny too, to see the likes of Huey Lewis going on about how he was s***tin' himself to be in such exalted company and terrified that he'd balls it up. You'd need to be over 50 to really get the whole thing but sure that's most folks on this forum.

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Yep I saw that. It was bloody brilliant!
 
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